The adaptation of visual arts and architecture to with AN attitude toward Emmanuel Levinas’s Face- To- Face philosophy

One of problems of today’s society is the fact that the artist is away from the profession of other arts and various social groups, as well as disregard of art and artist by the above groups and the consequent weakness of art in the community. The importance of establishing social interactions and Face- To- Face of different social groups with the arts and artists, as well as artist with other social strata, and the subsequent recognition and understanding of the importance of these interactions in the advancement of society makes necessary the research about establish a suitable bed for the presence of a wide range of different social groups, and consequently, confrontation with artistic issues. In direction fulfill of the goal the article, wich is the appropriate design method for an effective social bed for make come true this social need, produced hypotheses in response to the question of what manners can be in the optimal design of the social center of artists through the adaption of visual and beauty arts architecture whit the philosophy of Emmanuel levinas. Levinas philosophy is a kind of moral phenomenology in the direction of the person’s Face- To- Face to one another or others, and the formation of the justice and the desired policy of a society that ultimately leads to the emergence of the transcendence of that society. In this research, the results of the study of visual arts and architecture as the architectural framework and the results are from Emmanuel Levinas’s Face- To- Face philosophy studies as a theoretical approach adapted together and finally considering the use of each of these new achievements in design of the social center of artists, hypotheses were created as the results of this study  which can be used to establish an appropriate and effective way for promotion and development of art, and consequently, the growth and progress of a community.